Martine Syms combines conceptual grit, comedy, and social commentary to respond to her immediate reality, outside of traditional methods of documenting life experiences. Animated by the “problems of truth,” her practice questions image and language systems and their relationship to power. She is internationally known for a nuanced practice that spans across writing, performance, moving image, and installation.

Syms created four new works for the new collaboration between Bronzeville Center for the Arts and Sculpture Milwaukee. This presentation—Find A Way, A Short Meditation, Belief Strategy XIII, and an untitled photograph—includes photography, mantra, and visual patterns, offering a meditative prompt for viewers moving through the day-to-day.

Experience the transformative solo exhibition of Maryland-based artist Ciarra K. Walters. Through performance and video, Walters transforms her body into temporary sculptures, embedding herself in natural and architectural environments across the U.S. and internationally. Her ritualistic, intuitive movement films explore the reclamation of self, power, and the body’s deep connection to place.

In partnership with Chipstone Foundation, Black Defined 1: Ceramics examines the rich history and contemporary significance of ceramics as a storytelling medium. Featuring a diverse range of early colonial and contemporary objects, this exhibition showcases the contributions of ceramicists from the Midwest and Mid-Atlantic regions, as well as historic objects from the Southeast, emphasizing how ideas, traditions, and craft practices are passed down through generations. Contemporary Midwest-based artists include Alisa Drakes, Sydnie Jimenez, Janiece Maddox; Mid-Atlantic Artists include Michelle Erickson, David Drake, also known as “Dave the Potter,” and Roberto Lugo.

Black Defined is an exhibition series that explores the evolving intersections of identity, artmaking, and material culture in relation to Blackness. Recurring periodically, each iteration will focus on a specific theme or discipline highlighting critical subjects and experimental approaches by Black artists and artist who engage in related, constructive discourse.

“Quilting in Contemporary Art: Stitching Our Stories” explored how today’s artists use quilting to connect with their heritage and tell their own stories. This groundbreaking exhibition showcased the remarkable work of three talented Wisconsin artists: Jamin Mahan, Karla Stewart-Martin, and Rosy Petri, each exploring the art of quilting through unique and compelling lenses. Building on quilting’s rich history as a narrative art form, the exhibition highlighted how these artists are creating a new era focused on history, culture, and identity within their communities.